February 17, 2016, - 6:34 am
Black History? Beyonce Part of Coordinated Campaign to Free Black Panther Cop Killers
So, it turns out that Beyonce’s Super Bowl Halftime tribute to Malcolm X and the Black Panthers–both advocates of violence–was part of a planned, coordinated campaign to free convicted criminal Black Panthers from prison.
Beyonce Knowles-Carter’s Pepsi-sponsored Halftime routine wasn’t an independent number meant to be mere entertainment. Instead, like the Benghazi terrorist attacks, it was part of a coordinated campaign by several parties. In this case, it was part of a plan to use Black History Month as propaganda to free 20 convicted Black Panther criminals who remain in prison serving their sentences. Some of them, like Imam Jamil Abdullah Al-Amin a/k/a H. Rap Brown, are convicted cop-killers (of Black cops).
Last night, tax-funded PBS (a/k/a Palestinian Broadcasting Service) showed the “documentary,” “The Black Panthers: Vanguard of the Revolution.” But what is presented as an objective documentary is really apologist crap, chutzpah-dik propaganda, and a complete whitewash of the violent group that started and participated in race riots in Detroit and otherwise fomented unrest, instability, and chaos throughout the U.S. during the counterculture era. Instead, the Black Panthers are presented as a group of nice people who provided breakfast for kids and focused on education. It’s like saying ISIS is a humanitarian group. Oh, and also, we’re told, the Black Panthers group promoted women. Yeah, um, it’s a “feminist group!” Uh-huh. That’s the ticket. The movie ends by announcing its real goal . . . and that of Beyonce: to free the 20 Black Panther criminals from prison.
This is clearly coordinated. Black History Month is usually used to promote the contributions of Blacks throughout American history–people like George Washington Carver and Harriet Tubman (and, sadly, Oprah and Tyra Banks). Never before have I seen it used to rehab and whitewash the Black Panthers the way it’s being done this February, 2016. And it’s a disservice to Black Americans, of whose history the Black Panthers should comprise barely a blip. And we know that PBS officials, programmers, and hosts consult with other entertainment industry execs. Remember when Henry Louis “Skip” Gates, Jr. consulted Sony, Viacom, and other entertainment entity honchos on whether he should cover up Ben Affleck’s ancestors’ slave ownership on his “Finding Your Roots” show? You don’t think Beyonce’s people and her record company were in touch with PBS execs who planned to run the Black Panther flick? Think again.
The documentary appeared on PBS’ “Independent Lens” slot–usually reserved for boring documentaries that have finished their run in movie theaters or for other left-wing propaganda baloney on illegal aliens and “oppressed” Palestinian Muslims at the hands of “evil Zionists” and “the great Satan America.” PBS’ programming schedule described the movie this way:
The history of the Black Panther Party, a black nationalist organization founded in 1966 Oakland by Bobby Seale and Huey P. Newton in response to the era’s social conditions and turmoil. Included: archival footage; and remarks from Black Panthers, FBI informants, journalists, white supporters and detractors.
Hilarious. There are like five excuses in those two sentences. “Detractors” were few and far between. This movie was a verbal Lewinsky to the Black Panthers. Goebbels and Leni Riefenstahl would be proud.
And, again, there are the Black Panthers “political prisoners” (who are anything but) that the movie aims to free.
Al-Amin/Brown was Chairman of the Student Nonviolent Coordinating Committee (SNCC) and served prison time for a 1971 gun battle with police. He bragged, “Violence is as American as cherry pie.” Then, he served as the Black Panthers’ “Minister of Justice.” And that “justice” apparently included the March 2000 murder of Fulton County, Georgia Sheriff’s Deputy Ricky Kinchen (who was Black, by the way). Kinchen went to Al-Amin/Brown’s home to arrest him, but Al-Amin/Brown wasn’t there, as he’d fled. After Kinchen left, Al-Amin/Brown chased him and fellow Sheriff’s Deputy Aldranon English (also a Black cop) in a Mercedes and shot repeatedly at them. Kinchen died, but English survived and identified Al-Amin/Brown, who had no alibi and fled, as the shooter. He claimed that his prosecution was a “racial conspiracy,” which is interesting since he had no prob going after two Black men and murdering one of them. (His autobiography is entitled “Die N–ger Die!,” by the way.) Al-Amin/Brown is a cause celebre of unindicted HAMAS terrorism co-conspirator CAIR. “Free Imam Jamil” pins are sold at CAIR national events and conventions.
Black Panther “Minister of Justice” H. Rap Brown (Note the “Raaaaacist!” White Cop Protecting Him) . . .
Is Cop Killer Who Became Muslim Imam Jamil Abdullah Al-Amin . . .
Should this criminal and cop-killer go free because Beyonce twerked and shook her butt at the Super Bowl, and because PBS showed a movie that claims the Black Panthers are all about Rice Krispies for breakfast? That’s the plan. And, if Twitter (follow me on Twitter) and its trending hashtag of #BlackPanthersPBS, last night, were any indication of the plan’s effectiveness, there are far too many idiotic minds receptive to the message. Check out some of the tweets of some of these morons (at the end of this post).
Clearly, the plan is working, and, now the Black Panthers are as American as apple (is it racist to say “sweet potato”) pie?
Al-Amin/Brown is serving life in prison without the possibility of parole. And that’s the way it should be . . . no matter how much booty-shaking done by Beyonce and the darker-skinned dancers she picked to make Black Pantherism “sexy” and hip.
If only Black Sheriff’s Deputies Ricky Kinchen and Aldranon English were celebrated and revered by Beyonce and PBS, instead of Kinchen’s and English’s assailant.
Sheriff’s Deputy Ricky Kinchen, RIP: Murdered by Black Panther H. Rap Brown a/k/a Muslim Imam Jamil Abdullah Al-Amin
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By the way, I’ve celebrated Black History Month on this site in the past . . . the way it should be celebrated, including recognizing these great Americans:
Maria Rita Valdez, a Black woman, owned Rancho Rodeo Las Aguas, which became Beverly Hills. William Alexander Leidesdorff, introduced the first steamboat, hotel, and public school to San Francisco. Bose Ikard helped blaze the Goodnight-Loving Trail that led out West from Texas.
Oprah and Tyra don’t come even close to the heels of these great Americans.
Or to York, Lewis and Clark’s slave and guide, instrumental to their famous expedition. Or Black businessmen Barney Ford and Henry O. Wagoner, instrumental to founding and developing Colorado, according to 1895’s “History of the State of Colorado.”
Or George Washington Bush [no relation to Jeb!], who helped the U.S. stake claims to the Oregon Territory by settling Puget Sound. [That’s not to mention, the] Congressional Medals of Honor earned by the brave all-black Buffalo Soldiers and the Ninth Cavalry, which rescued late General Custer’s 7th Cavalry, when they were trapped during an engagement.
They did these things without affirmative action, government handouts, or minority set-asides. They did this when times were far more difficult for Blacks in America. . . .
That’s the real Black history [or used to be]. “Knowledge of a proud past will set the stage for a bright future for African-American and … all Americans,” says Charles A. Green, founder of the Old Wild West African-American Hall of Fame. But as late Detroit Mayor Coleman Young (with whom I rarely agreed) observed, “As black people we don’t appreciate our history. We don’t even know our history.”
And, now, far too many Black Americans think their history is hip-hop, Black Lives Matter, and Black Panther cop-killer revisionism. Oh, and wallowing in slavery and racism of the past by engaging in anti-White racism as payback.
Thank Beyonce and tax-moocher PBS for helping perpetuate all of that.
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I also want to mention some other great Black Americans I’ve noted on this site in the past, including Dr. John Withers, who risked his career to save a Jewish inmate from Dachau death camp. (Related to that, I’ve also noted that Jewish inmates at Buchenwald concentration camp helped hide and protect the camp’s only Black inmate, who was then a teen and became the only Black survivor of the Nazi camps–he was snubbed by President Obama, who refused to meet him during a trip to Germany.)
I’ve also written about brave Buffalo Soldier and Medal of Honor recipient Cpl. Isaiah Mays, a freed slave and American hero, whose story is as amazing and inspiring as it is tragic.
Any of these people are great role models for Americans, regardless of race. Any of these people merits the attention that Michael Brown, Trayvon Martin, Beyonce and the Black Panthers are getting. And, yet, they aren’t getting it.
And, then, we’re lectured that Black kids don’t have enough positive role models because there isn’t enough “diversity” and affirmative action?
(Oh, and by the way, isn’t it racist to insist that Black kids can’t have role models who are White? And, then, isn’t it a double standard to, at the same time, insist White people anoint Blacks as their role models (or they are “racist!” if they do not)? Just asking.)
Jose Antonio Vargas, in the last tweet above, is the celebrated illegal alien who gloated about it (in the NYTimes and elsewhere) and has been honored and celebrated all over the place for flouting the law.
Tags: Beyonce, Beyonce Black Panthers, Black Panthers
First things first: Beyonce is no “singer,” she’s a declaimer, and that “Formation” number (and interconnection with this drive to free Black Panther cop killers) is Exhibit A of how far R&B has fallen from the days of Earth, Wind & Fire’s uplifting, positive and wholesome music (more like a kick in the teeth to Maurice White who’s just settling in his grave). Secondly, this coordinated campaign is not unique in terms of Black racism as increasingly evident today, of which I bring up spendthrift Kanye West’s recent insistence that white music publications cease writing anything about R&B, plus his turning away Sir Paul McCartney from a post-Grammy party (sort of reminds me of one of Jay-Z’s “No Whites Allowed” parties written up some years back here).
ConcernedPatriot on February 17, 2016 at 7:39 am